Digital Sarees

October 11, 2018

Chusen, tejidos empapados de color.

July 23, 2018

Fantastic civilisations

June 24, 2018

Angels with angry faces

June 11, 2018

Bestiario: costumes painted by hand.

May 28, 2018

Personal data and Keith Khan Associates.

May 24, 2018

La hora del té

May 21, 2018

Great small gestures: a Japanese adventure.

April 8, 2018

The ugly, the crazy and the beauty.

March 12, 2018

A vintage paradise: from antique to kitsch

February 12, 2018

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Fantastic civilisations

June 24, 2018

by Carlos Alma

The cultural options in a metropolis like London are (or should be) vast and sometimes it is difficult to choose. But I had no doubts when I looked at the flyer for the National Gallery exhibition on Thomas Cole (1801-1848). I didn't know this English born American painter but I did know his paintings.

Something we learn soon after we walk into the room is that Mr. Cole was not painting landscapes only for aesthetic reasons but because he was an eager environmentalist and campaigner; born during the industrial revolution he was quick to identify the damage that uncontrolled development, materialism and lack of respect for nature would bring upon us. And that is the plot line of The Course of Empire; five depictions of the same location that show the evolution or de-evolution of the natural landscape “thanks” to the hand of mankind and its craving for control, power and wealth.

All in all it was a good show, nothing to intellectual, but it triggered my fantasy and it happened to convey a good message.

Fantastic civilisations have always captured my imagination and that was the main reason to pick this exhibition. There are plenty of examples of these imaginary landscapes and metropolis that mix up the Greek, Romans, Egyptians, Aztecs... Here I include Cole's series plus some of my favourite images, from Romantic paintings to blockbuster movie sets.